Canadian Fine Art Auction

May 28, 2018

LOT 13

Lot 13

MANLY EDWARD MACDONALD, R.C.A.

MANLY EDWARD MACDONALD, R.C.A.
Lot 13 Details
MANLY EDWARD MACDONALD, R.C.A.

LOADING THE LOGS

oil on canvas
signed
20 ins x 26 ins; 50.8 cms x 66 cms

Estimate $5,000-$7,000

Realised: $10,200
Price Includes Buyer's Premium ?

Lot Report

Additional Images
MANLY EDWARD MACDONALD, R.C.A.
  • MANLY EDWARD MACDONALD, R.C.A.
  • MANLY EDWARD MACDONALD, R.C.A.
Provenance:

Abitibi Bowater, Quebec
Private Collection, Ontario

Note:

Traditionally, logging is a difficult and often dangerous occupation. During the early years of settlement in Ontario, logging served a dual purpose of clearing the land for farming and providing a source of building materials, fuel and income. In Prince Edward County, where Manly MacDonald (1889-1971) would likely have painted this scene, the logging industry had been active since the turn of the nineteenth century. Logging in the County focused mostly on the harvest of maple and pine done during the winter months by farmers who were not occupied by their primary occupation. In 1808, the first sawmill was built in Milford and by 1840 there were over 30 such operations. By the time this work was executed (probably in the mid-1950s), mechanization had begun to take over some of the more laborious aspects of foresting.

Demand for lumber and paper products was high after the second World War. The fruit growing for which the mild climate of the County is known also required the production of wooden crates and barrels to transport produce to market. Even today traces of the foresting industry remain.

While horses began to be replaced by tractors, the horse and their sled were still used in the thicker woods at least to haul harvests out to the forest’s edge to meet railway lines, or later as seen here, to meet awaiting trucks. The truck depicted in this painting is probably an International Harvester, with its distinct grill and signature paint job. MacDonald charmingly depicts a harmonious fusion of tradition and innovation. It is interesting to consider that this work was painted during a period when the Toronto art world itself was struggling with traditional versus modernist approaches to art making, a polarization that the artist would undoubtedly have been aware of.

CONDITION DETAILS

For condition information please contact the specialist.

LOT 13
×

About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.