Lot 109
DENNIS EUGENE NORMAN BURTON
Additional Images
Provenance:
Private Collection, Toronto
Literature:
Denise Leclerc, The Crisis of Abstraction in Canada: The 1950s, National Gallery of Canada, Ottawa, 1992, page 97.
Note:
Following a series of visits to the Albright-Knox Gallery, Buffalo, in the late 1950s, Dennis Burton embraced a shift towards Abstract Expressionism. As Denise Leclerc observed, “The large, square paintings on hardboard from 1958…have the same complex composition of interweaving forms as seen in de Kooning’s works of this period.” In Edge, coloured forms amass – generating a perspective that makes the viewer feel as though they are standing on a breathtaking precipice.